![](https://lstatic.shangxueba.com/jiandati/h5/images/m_q_title.png)
In Paris, Hemingway, along with , accomplished a revolution in literary style and language.
A.Gertrude Stein
B.Ezra Pound
C.T. S. Eliot
D.James Joyce
A.Gertrude Stein
B.Ezra Pound
C.T. S. Eliot
D.James Joyce
Hemingway's style. of writing is striking. His sentences are short, his words simple, yet they are often filled with emotion. A careful reading can show us, furthermore, that he is a master of the pause. That is, if we look closely, we see how the action of his stories continues during the silences, during the times his characters say nothing. This action is often full of meaning. There are times when the most powerful effect comes from restraint (适度). Such times occur often in Hemingway's fiction. He perfected the art of expressing emotion with few words.
The word "stamina" in the last line of paragraph 1 can most probably be replaced by______.
A.money
B.time
C.energy
D.weapon
As a boy he was taught by his father to hunt and fish along the shores and in the forests around Lake Michigan. The Hemingways had a summer house in northern Michigan, and the family would spend the summer months there trying to stay cool. Hemingway would either fish the different streams that ran into the lake, or would take the small boat out to do some fishing there. He would also go squirrel hunting in the woods, discovering early in life the peace to be found while alone in the forest or going through a stream. It was something he could always go back to throughout his life, and though he often found himself living in major cities like Chicago, Toronto and Paris early in his life, once he became successful he chose somewhat isolated places to live in.
When he wasn't hunting or fishing his mother taught him the good points of music. She was a skilled singer who once had wished a life on stage, but at last settled down with her husband and spent her time by giving voice and music lessons to local children, including her own. Hemingway was never talented for music and suffered through singing practices and music lessons, however, the musical knowledge he got from his mother helped him share in his first wife Hadley's interest in the piano.
Ernest Hemingway died in______.
A.1969
B.1979
C.1981
D.1961
As a boy he was taught by his father to hunt and fish along the shores and in the forests around Lake Michigan. The Hemingways had a summer house in northern Michigan, and the family would spend the summer months there trying to stay cool. Hemingway would either fish the different streams that ran into the lake, or would take the small boat out to do some fishing there. He would also go squirrel hunting in the woods, discovering early in life the peace to be found while alone in the forest or going through a stream. It was something he could always go back to throughout his life, and though he often found himself living in major cities like Chicago, Toronto and Paris early in his life, once he became successful he chose somewhat isolated places to live in.
When he wasn't hunting or fishing his mother taught him the good points of music. She was a skilled singer who once had wished a life on stage, but at last settled down with her husband and spent her time by giving voice and music lessons to local children, including her own. Hemingway was never talented for music and suffered through singing practices and music lessons, however, the musical knowledge he got from his mother helped him share in his first wife Hadley's interest in the piano.
Ernest Hemingway died in______.
A.1969
B.1979
C.1981
D.1961
Section B
Directions: In this section, you will hear 3 short passages. At the end of each passage, you will hear some questions. Both the passage and the questions will be spoken only once. After you hear a question, you must choose the best answer from the four choices marked A, B, C and D.
听力原文: Ernest Hemingway was one of the great American writers of the twentieth century. He was born on July 21, 1899, the second of six children. His family was strict and very religious. His father taught his children a love of nature and the outdoor life. His mother taught him a love of music and art. (26) He graduated in 1917, but he didn't go to college. He went to Kansas City and worked as a journalist for the Star newspaper. He learned a lot, but left after only six months to go to war.
Hemingway was fascinated by war. He had wanted to become a soldier, but couldn't because he had poor eyesight. (27) Instead, in the First World War, he became an ambulance driver.
After the war, he went to live in Paris, where he was encouraged in his work by the American writer Gertrude Stein In the 1930s, he became a war correspondent in the Spanish Civil War and World War II. Many of his books were about war. (28) His most successful book, For Whom the Bell Tolls, was written in 1940 and is about the Spanish Civil War.
Another novel, A Farewell to Arms, is about the futility of war.
Hemingway's success in writing was not mirrored by similar success in his personal life He married four times. His health was not good and he had many accidents. He suffered from depression and drunk heavily. In October of 1954 he was awarded the Nobel Prize in literature, but he was too sick to receive it in person.
26.What can we learn about Ernest Hemingway?
27.What did Hemingway do during the First World War?
28.What is Hemingway's famous book For Whom the Bell Tolls about?
(27)
A.He didn't go to college.
B.He benefited a lot from successful personal life.
C.He was in good health.
D.He was awarded the Nobel Prize in 1945.
The primary intent of his writing, from first to last, was to seize and project for the reader what he often called "the way it .was." This is a characteristically simple phrase for a concept of extraordinary complexity, and Hemingway's conception of its meaning subtly changed several times in the course of his career--always in the direction of greater complexity. At the core of the concept, however, one can invariably discern the operation of three aesthetic instruments; the sense of place the sense of fact and the sense of scene.
The first of these, obviously a strong passion with Hemingway is the sense of place. "Unless you have geography, background," he once told George Anteil, "You have nothing." You have, that is to say, a dramatic vacuum. Few writers have been more place-conscious. Few have s carefully charted out she geographical ground work of their novels while managing to keep background so conspicuously unobtrusive. Few, accordingly, have been able to record more economically and graphically the way it is when you walk through the streets of Paris in search of breakfast at corner café… Or when, at around six o' clock of a Spanish dawn, you watch the bulls running from the corrals at the Puerta Rochapea through the streets of Pamplona towards the bullring.
"When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up street toward the bullring and behind them came more men running faster, and then some stragglers who ere really running. Behind them was a little bare space, and then the bulls, galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together."
This landscape is as morning-fresh as a design in India ink on clean white paper. First is the bare white street, seem from above, quiet and empty. Then one sees the first packed clot of runners. Behind these are the thinner ranks of those who move faster because they are closer to bulls. Then the almost comic stragglers, who are "really running." Brilliantly behind these shines the "little bare space," a desperate margin for error. Then the clot of running bulls-closing the design, except of course for the man in the gutter making himself, like the designer's initials, as inconspicuous as possible.
According to the author, Hemingway's primary purpose in telling a story was ______.
A.to construct a well-told story that the reader would thoroughly enjoy.
B.To construct a story that would reflect truths that were not particular to a specific historical period
C.To begin from reality but to allow his imagination to roam from "the way it was" to "the way it might have been"
D.To report faithfully reality as Hemingway had experienced it.
Paradoxically, those same developments have made life more practical for the many writers who still seek distant shores to escape the conventions and restrictions of their home countries. Nevertheless, it's not quite what it used to be, as a few expatriate writers attest.
Just this week, Norman Spinrad, an American science fiction writer who has lived in Paris for 15 years, suddenly had to repatriate to New York after his landlord decided to sell his Latin Quarter apartment. 'Tm being squeezed out of France," said Spinrad. "Because I'm a writer I don't have a regular job. So in order to get an apartment they demand a year's deposit to be tied up 20 grand or so and I am not rich enough to be able to lose 20 grand and then be able to continue to pay the rent. "Even if you've got the money, they'd rather rent it to somebody with a salary," added Spinrad, 63. "The paradox is that the French encourage creative artists on every other level, and I've been treated very well." Spinrad first came to France to write a novel set in Paris, but ended up staying because he liked the lifestyle. He said he intends to return if he can.
Jerome Charyn, another American writer from New York who lives in Paris, says he loves the "softness" of European culture. "I feel there's a kind of brutality in America," he said. "It's part of its virtues because as a creator you probably need that brutality. But as someone who's just sort of bouncing around day-to-day, you don't need it." Like many of today's nomadic writers, Charyn maintains a home in his native country to fuel his fiction. "I feel like Jekyll and Hyde, I'm constantly split," he says. He teaches film at the American University of Paris and said that having a regular job helps the writer abroad in more ways than fighting bureaucracy. "It sort of puts you into the system, makes it easier for you to exist within the culture," he said. "You're no longer that isolated because you're seeing students, you're seeing other faculty members, you have a very different kind of context."
Writers abroad say they do not feel cut off from what is happening in the United States. "I feel I know more about what's going on in the States being here than being there," Spinrad said, "because the news there is just pitiful and pressured by the government, if not controlled." Cable television in France, he said, gives him both American news programs and international stations. Indeed, Herbert Lottman, a publishing business expert, long-time Paris resident and the author of books about Man Ray and Albert Camus, said that technology has made it almost impossible for writers to isolate themselves. "The world has changed and the medium has changed so there is no longer an expatriate hidden in a hole in a garret in Paris," he said. "Everything he thinks and says is e-mailed immediately to everybody he knows in the United States."
If Paris is inadvertently discouraging impoverished writers, Ireland encourages them by exempting writers from income taxes. Anne McCaffrey, a fantasy and science fiction writer, has lived in Ireland for more than 30 years, although she said she moved there partly to get away from an increasingly violent America when her children were young. She said that Ireland was also conducive to writers because "the Irish leave you to get on with your own business".
Norman Spinrad ended up repatriating to New York because ______.
A.he couldn't afford the high rent in Paris
B.he wasn't sure if he could afford the rent if he has to put 20,000 dollars in a bank
C.he had been treated very well in France
D.he liked the lifestyle. in Paris
Ernest Miller Hemingway won the Nobel Prize in the year of 1970.()
为了保护您的账号安全,请在“简答题”公众号进行验证,点击“官网服务”-“账号验证”后输入验证码“”完成验证,验证成功后方可继续查看答案!