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The traditional multiple choice and blank filling activities are good enough for vocabulary practice.

提问人:网友jerry14 发布时间:2022-01-06
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第1题

II Read the following passage, and choose the best answer The Caravaggio Mystery Italian painter Michelangelo Merisi da Caravaggio (1571-1610), usually known simply as “Caravaggio,” had a dramatic life, of which parts remain mysterious to scholars even today. Why, then, would it be a surprise that mysteries also surround his work? For example, The Taking of Christ, one of his paintings that had been considered lost since the eighteenth century, was rediscovered in 1990. It had hung, seemingly unrecognized, in the dining room of the Society of the Jesuits in Dublin, Ireland, for more than fifty years. The discovery that the painting was, indeed, a Caravaggio, led many to wonder how such a treasure could be hidden—seemingly in plain sight. The first clue historians have about The Taking of Christ is in the 1603 accounts of an Italian nobleman, Ciriaco Mattei, who paid 125 “scudi” for “a painting with its frame of Christ taken in the garden.” At the time, Caravaggio’s style, with its striking use of light and dark, was admired and often imitated by both students and fellow artists. However, trends in the art world come and go, and two centuries later, Caravaggio’s work had fallen out of favor with collectors. In fact, it wouldn’t be until the 1950s that a Caravaggio “renaissance” occurred, and interest in the artist was renewed. In the meantime, The Taking of Christ had traveled far and wide. Ironically, it was the Mattei family itself that originally misidentified the work, though several centuries after the original purchase. In 1802, the family sold it as a Honthorst to a Scottish collector. This collector kept it in his home until his death in 1921. By 1921, The Taking of Christ—now firmly attributed to Gerard van Honthorst—was auctioned off in Edinburgh for eight guineas. This would have probably been a fair price if the work had been a van Honthorst; for a true Caravaggio, though, it was the bargain of the century. An Irish doctor bought the painting and donated it to the Dublin Jesuit Society the following decade. From the 1930s onward, The Taking of Christ hung in the offices of the Dublin Jesuits. However, the Jesuits, who had a number of old paintings in their possession, decided to bring in a conservator to discuss restoring them in the early 1990s. Sergio Benedetti, the Senior Conservator at the National Gallery of Ireland, went to the building to examine the paintings and oversee their restoration. Decades of dirt, including smoke from the fireplace above which it hung, had to be removed from the painting before Benedetti began to suspect that the painting was not a copy of the original, but the original itself. Two graduate students from the University of Rome, Francesca Cappelletti and Laura Testa, were primarily responsible for verifying that Caravaggio did, in fact, create this version of the painting. Over years of research, they found the 1603 Mattei accounts. The verification of the painting, though, went far beyond this circumstantial evidence. Certifying that a painting came from a certain artist’s hand is not easy, though forensic science that wouldn’t have been available in the 1920s helped to attribute the work to Caravaggio definitively. The canvas underwent a number of treatments. It was X-rayed and scanned with an infrared light. The cracks on the surface of the painting (known in the industry as “craquelure”) were studied. Furthermore, The Taking of Christ underwent much analysis by art historians, who studied the form and color in the painting to determine its authenticity. For example, Caravaggio never used sketches to set up the composition of his paintings. Instead, he made marks with the end of his brush as he painted—marks that can still be visible today. Of course, the verification of the painting required entire teams of people, in addition to the three mentioned above, and took years. By 1993, the announcement was finally made that the long-lost Caravaggio had been found. Rather than sell the painting, which is most likely worth millions of dollars, the Jesuits decided to make it available to the nation of Ireland for viewing. Thus, the painting is on “indefinite loan” to the National Gallery of Ireland. Nevertheless, the painting continues its travels as it features in exhibitions around the world, from the United States to Amsterdam. In 2010, it even travelled back to Rome to be displayed for the 400th anniversary of the painter’s death. A fitting tribute, many would say, to a mysterious master. ( ) Which of the sentences below best expresses the essential information in the highlighted sentence in paragraph 6? Why?

A、The National Gallery of Ireland now owns the painting.

B、The National Gallery of Ireland bought the painting from the Jesuits.

C、The National Gallery of Ireland can display the painting, but the Jesuits still own it.

D、The National Gallery of Ireland can display the painting as long as they allow it to travel.

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第2题
Along the northern coast there are many deep _______.

A、divers

B、harbors

C、bats

D、bars

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第3题
— Did you receive the letter the next day???— No. ...
— Did you receive the letter the next day?

— No. Somehow, it was three weeks ______ I received it.

[    ]

A. since

B. when

C. that

D. before

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第4题
What are the two patterns of organizing a cause and effect essay?

A、Multiple causes→one effect

B、One cause→multiple effects

C、Multiple causes→multiple effects

D、All of them

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第5题
The emergency exits are located in the following areas : _________.

A、front of the cabin

B、middle of the cabin

C、overhead bin

D、rear of the cabin

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第6题
I'm having her ______ English.

A、teaches

B、teach

C、to teach

D、taught

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第7题
cloze(10)
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第8题

1. Read the following passage and choose the best answer to each question. The timing of market entry is critical to the success of a new product. A company has two alternatives: It can compete to enter a new product market first―otherwise known as “pioneering”―or it can wait for a competitor to take the lead, and then follow once the market has been established. Despite the limitations of existing research, nobody denies that there are advantages of being a pioneering company. Over the years, there has been a good deal of evidence to show a performance advantage for pioneers. For many new products, customers are initially unsure about the contribution of product characteristics and features to the product’s value. Preferences for different characteristics and their desired levels are learned over time. This enables the pioneering company to shape customer preferences in its favor. It sets the standard to which customers refer in evaluating followers’ products. The pioneering product can become the classic or “original” product for the whole category, opening up a flood of similar products onto the market, as exemplified by Walkman and Polaroid. Unlike other consumer sectors, the value to customers of many high technology products relies not only on their features but also on the total number of users. For example, the value of a videophone depends on the number of people using the same or a compatible system. A pioneer obviously has the opportunity to build a large user base before competitors enter the market. This reduces followers’ ability to introduce differentiated products. There are other advantages of a large user base, such as the ability to share computer files with other users. Thus, software companies are often willing to give away products to build the market quickly and set a standard. 1 In the first paragraph, the writer points out that . A. there is general agreement on the benefits of pioneering products B. companies are still uncertain about how to market new products C. most companies prefer to market new products independently D. there are now guidelines to help those who wish to pioneer 2. According to the information in the second paragraph, how do customers approach new products? A. They take some time to develop a liking for them. B. They make comparisons with other new products. C. They need some persuasion to purchase them. D. They consider cost an important feature. The writer refers to Walkman and Polaroid because they were . A. better than any of their followers B. copied many times by their followers C. quickly accepted by consumers D. designed for a particular market 4. According to the final paragraph, the high technology market differs from other consumer markets in that . A. it is still a relatively new area of consumerism B. it is not dependent on product characteristics alone C. there are so many different types of products on the market D. there is such a great demand for high technology products

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