The water is boiled […..] kill harmful germs.
A、in order to
B、so as
C、to
D、0
A、in order to
B、so as
C、to
D、0
A、A. The heat is killing me.
B、B. No wonder I feel freezing.
C、C. No wonder I feel chilly today.
D、D. It is too cold to go out.
A、To
B、In order to
C、So as
D、0
Read this paragraph, then choose the correct ending for the sentence below. Even more confounding than Manet’s relaxed attention to detail, however, is the relationship in the painting between the activity in the mirrored reflection and that which we see in the unreflected foreground. In a similar vein to Diego Velazquez’ much earlier work Las Meninas, Manet uses the mirror to toy with our ideas about which details are true to life and which are not. In the foreground, for example, the barmaid is positioned upright, her face betraying an expression of lonely detachment, yet in the mirrored reflection she appears to be leaning forward and to the side, apparently engaging in conversation with her moustachioed customer. As a result of this, the customer’s stance is also altered. In the mirror, he should be blocked from view as a result of where the barmaid is standing, yet Manet has re- positioned him to the side. The overall impact on the viewer is one of a dreamlike dis-juncture between reality and illusion. Manet misrepresents the images in the mirror because he A. wanted to find out if the painting’s perspective was realistic B. felt they had to work very hard at boring and difficult jobs C. wanted to understand the lives of ordinary people at the time D. felt like they had to become different people E. wanted to manipulate our sense of reality F. wanted to focus on the detail in the painting
Read this paragraph, then choose the correct ending for the sentence below. Why would Manet engage in such deceit? Perhaps for that very reason: to depict two different states of mind or emotion. Manet seems to be conveying his understanding of the modern workplace, a place – from his perspective – of alienation, where workers felt torn from their ‘true’ selves and forced to assume an artificial working identity. What we see in the mirrored reflection is the barmaid’s working self, busy serving a customer. The front-on view, however, bears witness to how the barmaid truly feels at work: hopeless, adrift, and alone. Manet felt modern workers were alienated because they A. wanted to find out if the painting’s perspective was realistic B. felt they had to work very hard at boring and difficult jobs C. wanted to understand the lives of ordinary people at the time D. felt like they had to become different people E. wanted to manipulate our sense of reality F. wanted to focus on the detail in the painting
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