题目内容
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A、"Poets are unacknowledged legislators to the world."
B、"Poetry is a species of imitation and mimesis."
C、"Poetry is the rhythmical creation of beauty. "
D、"Beauty is truth, truth beauty."
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Section A
The aim of education or culture is merely the development of good taste in knowledge and good form. in conduct. The cultured man or the ideal educated man is not necessarily one who is well-read or learned, but one who likes and dislikes the right things. To know what to love and what to hate is to have taste in knowledge. (81) I have met such persons, and found that there was no topic that might come up in the course of the conversation concerning which they did not have some facts or figures to produce, but whose points of view were appalling. Such persons have erudition (the quality of being knowledgeable), but no discernment or taste. Erudition is a mere matter of stuffing facts or information, while taste or discernment is a matter of artistic judgment. (82) In speaking of a scholar, the Chinese generally distinguish between a man's scholarship, conduct, and taste or discernment. This is particularly so with regard to historians; a book of history may be written with the most thorough scholarship, yet be totally lacking in insight or discernment, and in the judgment or interpretation of persons and events in history, the author may show no originality or depth of understanding. Such a person, we say, has no taste in knowledge. To be well-informed, or to accumulate facts and details, is the easiest of all things. (83) There are many facts in a given historical period that can be easily stuffed into our mind, but discernment in the selection of significant facts is a vastly more difficult thing and depends upon one's point of view.
An educated man, therefore, is one who has the right loves and hatreds. This we call taste, and with taste comes charm. (84) Now to have taste or discernment requires a capacity for thinking things through to the bottom, an independence of judgment, and an unwillingness to be knocked down by any form. of fraud, social, political, literary, artistic or academic. There is no doubt that we are surrounded in our adult life with a wealth of frauds: fame frauds, wealth frauds, patriotic frauds, political frauds, religious frauds and fraud poets, fraud artists, fraud dictators and fraud psychologists. When a psychoanalyst tells us that the performing of the functions of the bowels during childhood has a definite connection or that constipation leads to stinginess of character, all that a man with taste can do is to feel amused. (85) When a man is wrong, he is wrong, and there is no need for one to be impressed and overawed by a great name or by the number of books that he has read and we haven't.
(76)
In Britain until recently the fine arts-painting, sculpture, printmaking, and so on-were seen as distinct from craft disciplines and the various metalworking disciplines. This distinction arose from the Arts and Crafts Movement whose political aim was to value daily art forms as much as high forms.
The result of the conflict between the two groups was to politicize the products of what we now know as visual artists. British art schools made a clear distinction between the fine arts (a term that hints at their supposed superiority) and the crafts in such a way that a craftsperson could not be considered a practitioner of high art. Although this is no longer the case, the inequality between the crafts or applied arts and the so-called fine arts still exists in some quarters.
A similar stigma exists in the US, where "arts and crafts" has a very particular meaning, referring to the sort of artwork first taught in elementary school and also (later in life) a variety of kitsch, household artwork. Most craftspeople are still seen as practicing something other than "fine art" among the traditional art school set, but, of course, can produce "high art", in any medium.
Which is (are) the form. (s) of the visual arts？
A．Painting.
B．Sculpture.
C．Photography.
D．All of the above.
An educated man, therefore, is one who has the right loves and hatreds. This we call taste, and with taste comes charm. 4. Now to have taste or discernment requires a capacity for thinking things through to the bottom, an independence of judgment, and an unwillingness to be knocked down by any form. of fraud, social, political, literary, artistic, or academic. There is no doubt that we are surrounded in our adult life with a wealth of frauds: fame frauds, wealth frauds, patriotic frauds, political frauds, religious frauds and fraud poets, fraud artists, fraud dictators and frauds psychologists. When a psychoanalyst tells us that the performing of the functions of the bowels during childhood has a definite connection or that constipation leads to stinginess of character, all that a man with taste can do is to feel amused. 5. When a man is wrong, he is wrong, and there is no need for one to be impressed and overawed by a great name or by the number of books that he has read and we haven't.
Section B
Directions: There are 2 passages in this section. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked A, B, C and D. You should decide on the best choice.
Carmen Lomas Carza's eloquent etchings, lithographs, and gouache paintings depict primal images of the rural environment and communal cultural experience of Mexican-descended people in the United States. In an introspective and personal language, she describes the customs, traditions, and way of life of her Texan-Mexican heritage. By 1972, Lomas Garza had evolved her distinctive monitos, paintings of stylized figures in culturally specific social environments. She transposes images and scenes from her past, combining cultural documentation with invention in an interplay of fact and fiction. Through selection, emphasis, and creation, these monitos delineate facets of experience, expressing deeper truths.
Oral tradition is a mainstay of Chicano culture. In both urban and rural communities, a rich and varied repertoire of ballads, tales, and poetic forms is preserved in memory and passed form. generation to generation. Lomas Garza's monitors function as an oral tradition in visual form. Her unique art of storytelling employs iconographic elements to create a concentrated narration. Visual episodes within an unfolding epic tale of cultural regeneration, the monitors keep alive the customs and daily practices that give meaning and choerence to Chicano identity. They basic aim is to delight and instruct. For those outside Chicano cultural, the precise and minutely detailed monitors provide a glimpse into the rich and vibrant lifestyle. of the largest Spanish-speaking cultural group within United States socitey.
Although her art has an innocent earnestness and folklore affinity, Lomas Garza's expression is neither naive nor instinctive. The artist is highly trained academically, but has chosen to remain independent of dominant artistic trends in order to work toward a private aesthetic response to social concerns. While her work does not posit an over political statement, it originates from a desire to respond to the contemporary situation of Mexican Americans by expressing positive image of their culture.
What does the passage, mainly discuss？
A．Cultural aspects of Carmen Lomas Gaza's work
B．Carmen Lomas Garza's artistic training
C．Political aspects of Carmen Lomas Garza's work
D．Critical reviews of Carmen Lomas Garza's work
______ thinking is the heart of the artistic design.
A、Creative
B、Strict
C、Hateful
Baroque and Gothic architecture share some sort of similarity in artistic style.()
It demands artistic skill for a manager to ______ disputes among his employees.
A．rectify
B．rebuke
C．negotiate
D．reconcile
In terms of artistic printing ,lithography can be best described as being very
A．costly
B．vulgar
C．prolific
D．surrealistic
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