Alice ______ Robert for a few yeats, her mother wants her to have a baby.A.has marriedB.ha
Alice ______ Robert for a few yeats, her mother wants her to have a baby.
A.has married
B.has married with
C.having been married to
D.had been married to
Alice ______ Robert for a few yeats, her mother wants her to have a baby.
A.has married
B.has married with
C.having been married to
D.had been married to
2013年诺贝尔经济学奖的获得者不包括()。
A、Eugene Fama
B、Peter Hansen
C、Alice Munro
D、Robert J.Shiller
听力原文:W: Hello, Robert, Alice here.
M: Hello, Alice, how are you?
W: Fine, thanks. Look, I've just got the prospectus for this year's evening classes. You said you were hoping to come again, so I thought it would be nice if we could go to one or two classes together.
M: Oh, that's a good idea. Is the program the same as last year?
W: More or less. There are a couple of new classes.
M: Which classes are you thinking of joining?
W: Well, there's pottery on a Monday evening from 7:30 to 9:30 and! thought I might go to the folk guitar class on Tuesday and Spanish conversation on Thursday.
M: You usually go to "keep-fit", don't you?
W: Yes, that's on Wednesday, but you're not interested in that, are you?
M: Not really. Have they got a "car maintenance" class this year?
W: Yes, that's on a Monday evening, 7:30 to 9:30.
M: I'd rather like to go to that.
W: Well, you can't do car maintenance and pottery.
M: When is the Spanish conversation class?
W: Thursday, 7:30 to 9:30.
M: I think I'll do car maintenance and Spanish conversation then.
W: Well, look, I've got a spare enrolment form. and I'm going to the college this evening. Shall I put you down for those two classes?
M: Oh, could you really?
W: Of course, no problem.
M: And I'll see you at the weekend so I can pay you then.
W: Fine. Bye.
M: Bye.
(23)
A.To talk about the evening class with the man.
B.To see what class the man will attend
C.To attend one or two evening classes together with the man.
D.To find what classes the man is interested in.
An Organization that Supports the Arts
Aside from perpetuating itself, the sole purpose of the American Academy and Institute of Arts and Let ters is to "foster, assist and sustain an interest" in literature, music, and art. This it does by enthusiastically handing out money. Annual cash awards are given to deserving artists in various categories of creativity: architecture, musical composition, theater, novels, serious poetry, light verse, painting, sculpture. One award subsidizes a promising American writer' s Visit to Rome. There is even an award for a very good work of fiction that failed commercially--once won by the young John Updike for The Poorhouse Fair and, more recently, by Alice Walker for In Love and Trouble.
The awards and prizes are total about 750,000 a year, but most of them range in size from 5,000 to 12,500, a welcome sum to many young practitioners whose work may not bring in that much money in a year. One of the advantages of the awards is that many go to the struggling artists, rather than to those who ire already successful. Members of the Academy and Institute are not eligible for any cash prizes. Another advantage is that, unlike the National Endowment for the Arts or similar institutions throughout the world, there is no government money involved.
Awards are made by committee. Each of the three departments -- Literature (120 members), Art (83), Music (47)--has a committee dealing with its own field: Committee membership rotates every year, so that new voices and opinions are constantly heard.
The most financially rewarding of all the Academy - Institute awards are the Mildred and Harold Strauss Livings. Harold Strauss, a devoted editor at Alfred A. Knopf, the New York publishing house, and Mildred Strauss, his wife, were wealthy and childless. They left the Academy - Institute a unique bequest: for five consecutive years, two distinguished (and financially needy)writers would receive enough money so they could devote themselves entirely to "prose literature" (no plays, no poetry, and no paying job that might distract). In 1983, the first Strauss Livings of 35,000 a year went to short - story writer Raymond Carver and novelist- essayist Cynthia Ozick. By 1988, the fund had grown enough so that two winners, novelists Diane Johnson and Robert Stone, each got 50,000 a year for five years.
Which of the following can be inferred about Alice Walker' s book In love and Trouble?
A.It sold more copies than The Poorhouse Fair.
B.It described the author's visit to Rome.
C.It was a commercial success.
D.It was published after The Poorhouse Fair.
An Organization that Supports the Arts
Aside from perpetuating itself, the sole purpose of the American Academy and Institute of Arts and Letters is to "foster, assist and sustain an interest" in literature, music, and art. This it does by enthusiastically handing out money. Annual cash awards are given to deserving artists in various categories of creativity: architecture, musical composition, theater, novels, serious poetry, light verse, painting, sculpture. One award subsidizes a promising American writer' s visit to Rome. There is even an award for a very good work of fiction that failed commercially--once won by the young John Updike for The Poorhouse Fair and, more recently, by Alice Walker for In Love and Trouble.
The awards and prizes are total about 750,000 a year, but most of them range in size from 5,000 to 12,500, a welcome sum to many young practitioners whose work may not bring in that much money in a year. One of the advantages of the awards is that many go to the struggling artists, rather than to those who are already successful. Members of the Academy and Institute are not eligible for any cash prizes. Another advantage is that, unlike the National Endowment for the Arts or similar institutions throughout the world, there is no government money involved.
Awards are made by committee. Each of the three departments----Literature (120 members), Art (83), Music (47)-----has a committee dealing with its own field. Committee membership rotates every year, so that new voices and opinions are constantly heard. The most financially rewarding of all the Academy - Institute awards are the Mildred and Harold Strauss Livings. Harold Strauss, a devoted editor at Alfred A. Knopf, the New York publishing house, and Mildred Strauss, his wife, were wealthy and childless. They left the Academy -Institute a unique bequest: for five consecutive years, two distinguished (and financially needy) writers would receive enough money so they could devote themselves entirely to "prose literature" (no plays, no poetry, and no paying job that might distract). In 1983, the first Strauss Livings of 35,000 a year went to short -story writer Raymond Carver and novelist- essayist Cynthia Ozick. By 1988, the fund had grown enough so that two winners, novelists Diane Johnson and Robert Stone, each got 50,000 a year for five years.
Which of the following can be inferred about Alice Walker' s book In love and Trouble?
A.It sold more copies than The Poorhouse Fair.
B.It described the author' s visit to Rome.
C.It was a commercial success.
D.It was published after The Poorhouse Fair.
Part A
Directions: Read the following four texts. Answer the questions below each text by choosing A, B, C or D . Mark your answers on ANSWER SHEET 1.
Aside from. perpetuating itself, the sole purpose of the American Academy and Institute of Arts and Letters is to "foster, assist and sustain an interest" in literature, music, and art. This it does by enthusiastically handing out money. Annual cash awards axe given to deserving artists in various categories of creativity: architecture, musical composition, theater, novels, serious poetry, light verse, painting, and sculpture. One award subsidizes a promising American writer's visit to Rome. There is even an award for a very good work of fiction that failed commercially—once won by kite young John.
Updike for The Poorhouse Fair and, more recently, by Alice Walker for In Love and Trouble The awards and prizes total about $750,000 a year, but most of them range in size from $5,000 to$12,500, a welcome sum to many young practitioners whose work may not bring in that much money in a year. One of the advantages of the awards is that many go to the struggling artists, rather than to those who are already successful
Members of the Academy and Institute are not eligible for any cash prizes. Another advantage is that, unlike the National Endowment for the Arts or similar institutions throughout the world, there is no government money involved. Awards are made by committee. Each of the three departments, Literature (120 members), Art (83), Music (47), has a committee dealing with its own field. Committee membership rotates every year, so that new voices and opinions are constantly heard. The most financially rewarding of all the Academy-Institute awards are the Mildred arid Harold Strauss Livings. Harold Strauss, a devoted editor at Alfred A. Knopf, the New York publishing house, and Mildred Strauss, his wife, were wealthy and childless. They left the Academy4nstitute a unique be- quest: for five consecutive years, two distinguished (and financially needy) writers would receive enough money so that they could devote themselves entirely to "prose literature" (no plays, no poetry, and no paying job that might distract). In 1983, the first Strauss Livings of $35,000 a year went to short-story writer Raymond Carver and novelist-essayist Cynthia Ozick. By 1988, the fund had grown enough so that two winners, novelists Diane Johnson and Robert Stone, each got $50, 000 a year for five years.
What is the main idea of the passage?
A.Award -winning works of literature.
B.An organization that supports the arts.
C.Introduce some awards in literature and arts.
D.Public patrons of the arts.
A.It makes Alice look younger.
B.It makes Alice look better.
C.It makes Alice look uglier.
D.It makes Alice look older.
A.['alice' , 'kate' , 'john']
B.变量未定义的错误
C.[]
D.'alice' , 'kate' , 'john'
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