题目内容
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A．The photograph is not good enough to send.
B．The photograph was not taken at the Grand Canyon.
C．They already sent Mary a photograph of their vacation.
D．Sending pictures through the mail is too expensive.
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A．The photograph is not good enough to send.
B．The photograph was not taken at the Grand Canyon.
C．They already sent Mary a photograph of their vacation.
D．Sending pictures through the mall is too expensive.
What is the main topic of this lecture？
A．The process of fixing a photograph
B．The problem of exposure time
C．The experiments by Louis Daguerre
D．The history of early photography
W: Don't you think it's a little out of focus？
Q: What does the woman imply？
(13)
A．The photograph is not good enough to send.
B．The photograph was not taken at the Grand Canyon.
C．They already sent Mary a photograph of their vacation.
D．Sending pictures through the mail is too expensive.
A．The photograph disappeared after a few minutes.
B．The images were very delicate and easily fell apart.
C．Multiple images could not be made from the plate.
D．The exposure time was still several hours long.
Lucien Rudaux, a French artist, was the first to combine his artistic talents with his knowledge of astronomy. His paintings show a mixture of skilled observations, brilliant imagination, and painstaking attention to details. As a result, many of his works have come surprisingly to close to actual conditions on distant planets. His painting of Mars included moonlike craters that were first photographed by the Mariner 4 probe in 1965. His 1930 painting of a dust storm looks remarkably like a photograph of a storm taken by Orbiter 2 in 1976.
The artist-astronomers, including Rudaux, stimulated interest in outer space by painting what eventually turned out to be precise portraits of the planets.
What is the main idea of the passage？
A．The amazing accuracy of space artists.
B．The popular success of Lucien Rudaux.
C．The imaginations of great artists.
D．The similarities of the Moon to Mars.
听力原文： Mr. Blue is a rich businessman. He had a nice shop in the main street of a small town. He sold diamond necklaces, watches, clocks and other such things. Most of the goods sold in his shop arc very expensive. All were well for some years, and then Mr. Blue' s shop was broken into at night twice in one month, and a lotof diamond necklaces were stolen each time. It made Mr. Blue very worried. He asked the police for help. but the police had still not succeeded in catching the thief three weeks later. So Mr. Blue decided that he would try to do something about it. He bought a camera, fixed it up in his shop so that it could photograph anyone who broke into at night, and put some very cheap diamond necklaces in front of it for the thief. A few nights later the thief came again, but he did not touch any of the cheap diamond necklaces that Mr. Blue had put out for him. He took the camera instead. It was worth $ 1S 000.
What happened to the shop in one month？
A．The shop was on fire twice.
B．The shop closed twice.
C．The shop was broken into twice at night.
听力原文： You may remember that a few weeks ago we discussed the question of what photography is. Is it art or is it a method of reproducing images？ Does photography belong to a museum or just in our homes？ Today I want to talk about a person who tried to make his professional life an answer to such questions. Alfred Stieglitz went from the United States to Germany to study engineering. While he was there he became interested in photography and began to experiment with his camera. He took pictures under conditions that most photographers considered too difficult. He took them at night, in the rain and of people and objects reflected in windows. When he returned to the United States he continued this revolutionary effort. Stieglitz was the first person to photograph skyscrapers, clouds and views from an airplane. What Stieglitz was trying to do in his photographs was what he tried to do throughout his life—make photography an art. He thought that photography could be just as beautiful a form. of self-expression as painting or drawing. For Stieglitz, his camera was his brush. While many photographers in the later 1800s and early 1900s thought of their work as a reproduction of identical images, Stieglitz saw his as creative art form. He understood the power of the camera to capture the moment. In fact he never retouched his prints or made copies of them. If you are in this class from today, I'm sure you'd say: Well, painters don't normally make extra copies of their paintings, do they？
(30)
A．The definition of photography.
B．Photography in the early 1900's.
C．The life of Alfred Stieglitz.
D．Alfred Stieglitz's approach to photography.
听力原文： You may remember that a few weeks ago we discussed the question of what photography is. Is it art or is it a method of reproducing images？ Docs photography belong in museums or just in our homes？ Today I want to talk about a person who tried to make his professional life an answer to such questions. Alfred Stieglitz went from the United States to Germany to study engineering. While he was over there he became interested in photography and began to experiment with his camera. He took pictures under conditions that most photographers considered too difficult. He took them at night, in the rain and of people and objects reflected in windows. When he returned to the United Stated he continued this revolutionary effort. Stieglitz was the first person to photograph skyscrapers, clouds and views from an airplane. What Stieglitz was trying to do in his photographs was what he tried to do throughout his life: make photography ail art. He thought that photography could be just as beautiful a form. of selfexpression as painting or drawing. For Stieglitz, his camera was his brush. While ninny photographers in the late 1800s and early 1900s thought of their work as a reproduction of identical images, Stieglitz saw his as creative art form. moment. In fact he never retouched his prints or made copies of thorn. If you are in this class today, I'm sure you'd say: Well, painters don't normally make extra copies of their paintings, do they？
(23)
A．The influence of weather on Alfred Stieglitz' photography.
B．Alfred Stieglitz' approach to photography.
C．Photographic techniques common in the early 1900's.
D．The life of Alfred Stieglitz.
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