题目内容（请给出正确答案）

[主观题]

Ever since Picasso's paintings were on exhibition, there ______ large crowds at the museum

very day.

A．is

B．have been

C．has been

D．are being

提问人：网友denghong 发布时间：2022-01-06

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更多“Ever since Picasso's paintings…”相关的问题

第1题

Ever since Picasso's painting went on exhibit, there_____ large crowds at the museu

Ever since Picasso's painting went on exhibit, there_____ large crowds at the museum every day,

A. have been

B. has been

C. are being

D. is

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第2题

Ever since Picasso's painting went on exhibition, there ______ large crowds at the museum

every day.

A．is

B．has been

C．have been

D．are being

点击查看答案

第3题

Ever since Picasso’s painting went on exhibit, there ________ large crowds at the m

useum every day.

A) is

B) has been

C) have been

D) are being

点击查看答案

第4题

Ever since Picasso's painting went on exhibit, there ______ large crowds at the museum eve

ry day.

A．had been

B．have been

C．has been

D．are

点击查看答案

第5题

Tell an investment banker that a picture bought in 1950 for $30,000 sold this month for $1

04.1 million and you will be unlucky if you fail to get his attention. That was the case with the portrait of a young boy by Picasso when Sotheby's dispersed on May 5 the tail end of the famous collection formed by the late John Hay Whitney and his wife Betsy Cushing Whitney. Sales added up to almost $190 million within two hours.

If you then go on to explain that Whitney bought the 1905 portrait not for investment but for art's sake, because he loved 19th- and 20th-century painting, you might well be greeted with a stare of compassionate irony.

Yet that was exactly so. Had the heir to a vast fortune consulted experts at the time, most would have advised against the acquisition. Received wisdom in the 1950s had it that it was Picasso's breakthrough in modern art that made him truly important, i. e. his early Cubist work.

The Picasso case, which is probably the greatest success story ever in the art market, neatly illustrates the financial gamble that buying art represents. The biggest winners are not investors, but art lovers with a great eye who follow their intuition.

Art cannot be an investment because perception determines everything. No two works are ever identical. One Picasso does not equal another Picasso. On May 6, one day after the Whitney sale, Sotheby's was offering another five Picassos. All fetched different prices.

That night the market was on a roll and two of the Picassos sold extremely well. Even so, their diverging fates illustrate the impossibility of predicting prices. Presale calculations are frequently belied, up or down. "Le Nu Accroupi" (describing a seated woman), dated "21/24.6.59," was expected to bring $3 million to $4 million plus the 12 percent sale charge. Furious bidding sent it climbing to $11,768,000.

The second of the two most expensive Picassos sold within the expected price bracket, costing $14,792,000．"Le Sauvetage" ("The ReScue") was painted in November 1932．This is seen as a seminal year. Why did it not arouse enthusiasm in proportion to the "Nu Accroupi" and increase the estimate by 250 percent？

One reason, in favor of the "Nu Accroupi", is that the figure of the seated woman is distorted in a manner that best fits the general public's idea of what Picasso's art looks like. The face broken up in separate halves that can be read as seen sideways or full front is typical of this stereotype even if in reality Picasso was the most versatile artist of his time.

Another reason works against "Le Sauvetage". A jarring note is introduced by the spiky rendition of the human figures. Moreover, some deem the composition to be loose. Others, by contrast, praise its rhythm. The argument can go on indefinitely. In short, no complete agreement is ever reached over the aesthetic characterization of a painting. Nor is there ever total agreement over the assessment of its importance relative to the artist's oeuvre. How good within the 1932 style. "Le Sauvetage" is will be seen differently by different viewers.

Cubism was a crucial phase of Picasso's art in the view of virtually all art historians today and yet the-1909 to 1914 revolutionary works are not always well received by the public at auction.

Immediately before the "Nu Accroupi", a large charcoal sketch of a man's head done by Picasso in 1909 in his first Cubist manner reflecting the impact that African sculpture had on its emergence came up with a $400,000 to $600,000 estimate. The drawing came from a European estate, and works with an estate provenance generally do well because they have long been out of sight. Moreover, it had previously passed through the hands of one of the greatest 20th-century dealers, Heinz Berggruen, while he was based in Paris. All to no avail. The drawing fell unsold, probably too ungainly for its art historical importance to weigh

A．its art historical importance

B．its aesthetic characterization

C．the general public's idea

D．its beauty

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第6题

The passage supplies information for answering all of the following questions EXCEPTA．How

The passage supplies information for answering all of the following questions EXCEPT

A．How is the law of constancy linked to the law of abstraction？

B．What is the physiological process by which the brain's tends to form. abstractions？

C．Does the process of forming abstractions ever go beyond its physiological processes？

D．What artistic goal led Picasso and Braque to adapt their work's sense of perspective？