Indeed, almost every scientist now finds it is impossible to read all the works relevant t
A.much more to read
B.much less to read
C.much less reading
D.still more reading
A.much more to read
B.much less to read
C.much less reading
D.still more reading
A.much more to read
B.much less to read
C.much less reading
D.still more reading
A) much more to read
B) much less reading
C) much less to read
D) still more reading
A.much more to read
B.much less to read
C.still more reading
D.much less reading
According to the people at Habitat(住处) for Humanity International(HFHI), there is plenty that can be done. HFHI was founded in 1976 by Millard and Linda Fuller, millionaires who decided their money could best be spent helping people. Since then, HFHI has helped fix and build homes for tens of thousands of people in the United States and over 30 other countries.
HFHI believes that the homes should not be given as charity; instead, the organization follows a system known as partnership housing: The people who will live in the homes work together with volunteers on the construction and then gradually pay off the basic cost of the homes.
These payments, together with contributions, enable HFHI to help other people.
Throughout the world, the number of people who lack housing:【46】.
HFHI stands for:【47】.
The founders of HFHI: two【48】.
The purpose of HFHI: help people【49】.
The system by which HFHI offers help: through【50】.
Before the advent of CGI in the 1980s, animation techniques could be divided into two broad categories-drawn animation and model (or stop-motion) animation. The former involves photographing a series of two-dimensional images, usually drawings but sometimes cut-out shapes, while the latter uses three-dimensional puppets and models. Both techniques developed rapidly in the early years of cinema, with Cohl (" Fantasmagorie", 1908) and McCay ("Little Nemo", 1911) among the drawn animation pioneers and Stacewicz ("The Revenge of a Kinematograph Cameraman", 1912) the pre eminent puppet animator.
The invention of eel animation by Hard in 1914 was a key milestone. Not only did it reduce the work required to produce drawn animation by eliminating the need to redraw the backgrounds, it also made it possible to divide the work up among a team of specialists. One artist could design the characters, one draw the backgrounds, another produce key character frames as outline drawings, while yet others would work on the less inventive tasks of inking in outlines or filling in character movements ('in-betweeners'). The development of 'rotoscoping' by the Fleischer brothers was another key improvement, leading to much more realistic character movement.
While the eel technique transformed drawn animation into a streamlined production-line process, model animation remained very much an individual art. As a result it languished, while by the 1930s cel-animated shorts had become part of nearly every Film program. As well as Disney, several of the studios, Warner Brothers and MGM in particular, had flourishing animation departments. Disney produced the first full-length animated feature, "Snow White and the Seven Dwarfs" in I937 and from then on released a new one roughly every other year.
The advent of widespread television in the 1960s had a profound effect on film programs. First newsreels were abandoned, as television news proved more efficient and immediate. Cartoon shorts were edged out more slowly, but became rare by the end of the 1960s. The animation studios, instead of making five-minute shorts for cinema exhibition, started making thirty-minute TV cartoons for children ("Top Cat", "Deputy Dawg" and "The Flintstones" for example). While stories of necessity became more complex, the cartoon drawings themselves became highly simplified to meet the budgets that TV imposed.
Within the domain of animated shorts almost every conceivable technique has continued to be used, but until recently cartoon features have been produced exclusively using cel. animation. Indeed, for more than forty years, from "Snow White" (1937) until "The Secret of NIMH" (Bluth/Goldman, 1982) almost all the featurelength cartoons came from a single studio, Disney. Model animation, while often used for special effects in fantasy and science fiction films, was not used for a feature-length animated film until "Nightmare" (1993). Despite the success of "Nightmare" we have not seen many more stop-motion 3D cartoons. Indeed there has been just one, "Chicken Run" (Lord/Park. 2000)), although the long middle section of "James and the Giant Peach" (Selick. 1996) is entirely stop-motion. Instead there has been a series of very successful 3D cartoons generated completely by computers, starting with "Toy Story" in 1995.
A.the name of an inventor
B.model animation
C.a toy
D.a picture
【M1】
All 【C9】______ well, the deal can be and often is completed in less than five minutes, with 【C10】______ any chat and to everyone's satisfaction.
Now how does a woman 【C11】______ buying clothes? In almost every respect she does so in the 【C12】______ way. Her shopping list is not often based on need. She has never fully made up her mind what she wants. She is always 【C13】______ to persuasion; indeed she sets great store by what the saleswoman tells her,【C14】______ by what companions tell her. Uppermost in her mind is the thought of finding something that everyone thinks 【C15】______ her. Contrary to a lot of jokes, most women have an excellent 【C16】______ of value when they buy clothes. They are always on the【C1C7】______ for the unexpected bargain. Faced with a roomful of dresses, a woman may easily spend an hour 【C18】______ from one rail to another, to and fro, often retracing her steps, before 【C19】______ the dresses she wants to try on. It is a laborious process, but apparently an【C20】______ one.
【C1】
A.that
B.as
C.what
D.which
It is usually unnecessary,and indeed often impossible,______every printed clause.
A.to give rise to
B.giving give rise to
C.given give full effect to
D.to give full effect to
为了保护您的账号安全,请在“简答题”公众号进行验证,点击“官网服务”-“账号验证”后输入验证码“”完成验证,验证成功后方可继续查看答案!