The phrase "throw off" underlined in Paragraph 3 most probably means ______ .A.ejectB.burn
The phrase "throw off" underlined in Paragraph 3 most probably means ______ .
A.eject
B.burn up
C.convert
D.let in
The phrase "throw off" underlined in Paragraph 3 most probably means ______ .
A.eject
B.burn up
C.convert
D.let in
The underlined phrase "throw off" probably means______.
A.give away
B.cast
C.send for
D.get rid of
The phrase "throw one's weight around" (Paragraph 2) probably means ______.
A.to look down upon others and intimidate others into doing something
B.to spend money foolishly in order to show one's wealth
C.to use one's power to tell people what to do in an unpleasant way
D.to discourage others by showing off their strength
听力原文: On 26 May, 1928, at a meeting in Amsterdam, the FIFA (Federation Internationale de Football Association) congress decided that a new tournament open to all its members should be played. A year later in Barcelona it was agreed that Uruguay, the Olympic champions and the era's footballing superpower, should celebrate 100 years of independence by hosting the first World Cup the following year.
Only 13 nations took part in the inaugural tournament, with a majority of nine coming from South America. All games were played in three stadiums in Montevideo and, as expected, the South American countries dominated, although the European teams did not disgrace themselves.
Some 100,000 fans packed into the Centenario Stadium for the final on 30 July to see Argentina throw away a 2-1 half-time lead as Uruguay ran out 4-2 winners.
Jules Rimet, the FIFA president and brains behind the World Cup, presented the trophy to winning captain Jose Nazassi and football's greatest tournament was born.
After a pre-match row over which ball to use for the final, it is believed the Argentine ball was used in one half and the Uruguayan ball in the other. Rumor has it that this is how the phrase "a game of two halves" evolved.
When and where was the first World Cup played?
A.1928 in Barcelona.
B.1929 in Uruguay.
C.1930 in Holland.
D.1931 in Brazil.
听力原文: On 26 May, 1928, at a meeting in Amsterdam, the FIFA (Federation Internationale de Football Association) congress decided that a new tournament open to all its members should be played. A year later in Barcelona it was agreed that Uruguay, the Olympic champions and the era's footballing superpower, should celebrate 100 years of independence by hosting the first World Cup the following year.
Only 13 nations took part in the inaugural touruament, with a majority of nine coming from South America. All games were played in three stadiums in Montevideo and, as expected, the South American countries dominated, although the European teams did not disgrace themselves.
Some 100,000 fans packed into the Centenario Stadium for the final on 30 July to see Argentina throw away a 2-1 half-time lead as Uruguay ran out 4-2 winners.
Jules Rimet, the FIFA president and brains behind the World Cup, presented the trophy to winning captain Jose Nazassi and football's greatest tournament was born.
After a pre-match row over which hall to use for the final, it is believed the Argentine ball was used in one half and the Uruguayan ball in the other. Rumor has it that this is how the phrase "a game of two halves" evolved.
When mid where was the first World Cup played?
A.1928 in Barcelona.
B.1929 in Uruguay.
C.1930 in Holland.
D.1931 in Brazil.
In his novels these various impulses were sacrificed to each other inevitably and often inevitably, because Hardy did not care in the way that novelists such as Flaubert or James learned, and therefore took paths of least resistance. Thus one impulse often surrendered to a fresher one and, unfortunately, instead of exacting a compromise, simply disappeared. A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist scientist to record exactly and concretely the structure and texture of a flower.
In this instance, the new impulse was at least an energetic one. And thus its indulgence did not result in a relaxed style. But on other occasions Hardy abandoned a perilous risky and highly energizing impulse in favor of what was for him the fatally relaxing impulse to classify and schematize abstractly. When a relaxing impulse was indulged, the style—that sure index of an author's literary worth—was certain to become verbose.
Hardy's weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones. He submitted of first one and then another, and the spirit blew where it listed; hence the unevenness of any one of his novels. His most controlled novel, Under the Greenwood Tree, prominently exhibits two different but reconcilable impulses—a desire to be a realist-historian and a desire to be a psychologist of love but the slight interlockings of plot are not enough to bind the two completely together. Thus even this book splits into two distinct parts.
Which of the following is the most appropriate title for the passage, based on its content?
A.Hardy's Novelistic Style. A Literary Light.
B.Hardy's Creative Conflict: Rationalism and Realism.
C.Hardy's Achievements: An Ambiguous Triumph.
D.Hardy's Novelistic Impulses: The Problem of Conflicts.
Mexico is a particularly interesting case of the use of nation as a defense against the leveling pressures of' globalization -- a nationalism of resistance, in Wallerstein's terms, rather than a nationalism of domination. For example, the much debated NAFTA, the North American Free Trade Agreement -- or the TLC, Tratado de Libre Comercio -- opened Mexico's borders to American commercial onslaughts in the early 1990s, but in cultural matters, the treaty encodes a very different attitude. The Free Trade Agreement contains an Annex that provides special protection to Mexico's cultural industries. Some of its provisions are as follows: 1) the use of the Spanish language is required for the broadcast, cable or multipoint distribution system of radio and television, except when the Secretaria de Gobemacion authorizes the use of another language; 2) a majority of the time of each day's live broadcast programs must feature Mexican nationals; 3) the use of die Spanish language or Spanish subtitles is required for advertising that is broadcast or otherwise distributed in the territory of Mexico; and 4o) thirty percent of screen time of every theater, assessed on an annual basis, may be reserved for films produced by Mexican persons either within or outside the territory of Mexico. I should also like to mention that it was Canada that insisted on cultural industry protection clauses in the North American Free Trade Agreement originally and the Canadian government achieved partial success, at best. In comparison, protections of cultural industries are common throughout the European Union: France passed recently legislation requiring that French radio stations devote forty percent of airtime to French music, and Spain also passed a law requiring that one-fourth to one-third of all movies shown in Spanish theaters to be of Spanish origin. England has long protected its movie industry: the great film director Michael Powell got his start, as did other British directors during the 1930s, making what were called quota quickies. So, even as I suggest that comparatists may want to review our nationalist institutional and disciplinary structures in the light of global mobility, nations continue to protect their cultures against those same forces.
The phrase "plural referent" in line 4 refers to ______.
A.the cultures
B.the Latin Americas
C.the writers
D.the nations
A、Exception e = new Exception(); throw e;
B、throw new Exception();
C、throw new IOException ();
D、throw new String();
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