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[主观题]

The phrase "throw one's weight around" (Paragraph 2) probably means ______.A.to look down

The phrase "throw one's weight around" (Paragraph 2) probably means ______.

A.to look down upon others and intimidate others into doing something

B.to spend money foolishly in order to show one's wealth

C.to use one's power to tell people what to do in an unpleasant way

D.to discourage others by showing off their strength

提问人:网友qqgg1227 发布时间:2022-01-07
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更多“The phrase "throw one's weight…”相关的问题
第1题
The phrase "throw off" underlined in Paragraph 3 most probably means ______ .A.ejectB.burn

The phrase "throw off" underlined in Paragraph 3 most probably means ______ .

A.eject

B.burn up

C.convert

D.let in

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第2题
The underlined phrase "throw off" probably means______.A.give awayB.castC.send forD.get ri

The underlined phrase "throw off" probably means______.

A.give away

B.cast

C.send for

D.get rid of

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第3题
听力原文: On 26 May, 1928, at a meeting in Amsterdam, the FIFA (Federation Internationale

听力原文: On 26 May, 1928, at a meeting in Amsterdam, the FIFA (Federation Internationale de Football Association) congress decided that a new tournament open to all its members should be played. A year later in Barcelona it was agreed that Uruguay, the Olympic champions and the era's footballing superpower, should celebrate 100 years of independence by hosting the first World Cup the following year.

Only 13 nations took part in the inaugural tournament, with a majority of nine coming from South America. All games were played in three stadiums in Montevideo and, as expected, the South American countries dominated, although the European teams did not disgrace themselves.

Some 100,000 fans packed into the Centenario Stadium for the final on 30 July to see Argentina throw away a 2-1 half-time lead as Uruguay ran out 4-2 winners.

Jules Rimet, the FIFA president and brains behind the World Cup, presented the trophy to winning captain Jose Nazassi and football's greatest tournament was born.

After a pre-match row over which ball to use for the final, it is believed the Argentine ball was used in one half and the Uruguayan ball in the other. Rumor has it that this is how the phrase "a game of two halves" evolved.

When and where was the first World Cup played?

A.1928 in Barcelona.

B.1929 in Uruguay.

C.1930 in Holland.

D.1931 in Brazil.

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第4题
听力原文: On 26 May, 1928, at a meeting in Amsterdam, the FIFA (Federation Internationale

听力原文: On 26 May, 1928, at a meeting in Amsterdam, the FIFA (Federation Internationale de Football Association) congress decided that a new tournament open to all its members should be played. A year later in Barcelona it was agreed that Uruguay, the Olympic champions and the era's footballing superpower, should celebrate 100 years of independence by hosting the first World Cup the following year.

Only 13 nations took part in the inaugural touruament, with a majority of nine coming from South America. All games were played in three stadiums in Montevideo and, as expected, the South American countries dominated, although the European teams did not disgrace themselves.

Some 100,000 fans packed into the Centenario Stadium for the final on 30 July to see Argentina throw away a 2-1 half-time lead as Uruguay ran out 4-2 winners.

Jules Rimet, the FIFA president and brains behind the World Cup, presented the trophy to winning captain Jose Nazassi and football's greatest tournament was born.

After a pre-match row over which hall to use for the final, it is believed the Argentine ball was used in one half and the Uruguayan ball in the other. Rumor has it that this is how the phrase "a game of two halves" evolved.

When mid where was the first World Cup played?

A.1928 in Barcelona.

B.1929 in Uruguay.

C.1930 in Holland.

D.1931 in Brazil.

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第5题
Thomas Hardy's impulses as a writer, all of which indulged in his novels, were numerous an
d divergent, and they did not always work together in harmony. Hardy was to some degree interested in exploring his characters' psychologies, though impelled less by curiosity than by sympathy. Occasionally he felt the impulse to comedy (in all its detached coldness) as well as the impulse to farce, but he was more often inclined to see tragedy and record it. He was also inclined to literary realism in the several senses of that phrase; He wanted to describe ordinary human beings. He wanted to speculate on their dilemmas rationally (and, unfortunately even schematically); and he wanted to record precisely the material universe. Finally, he wanted to be more than a realist. He wanted to transcend what he considered to be the banality of solely recording things exactly and to express as well his awareness of the occult and the strange.

In his novels these various impulses were sacrificed to each other inevitably and often inevitably, because Hardy did not care in the way that novelists such as Flaubert or James learned, and therefore took paths of least resistance. Thus one impulse often surrendered to a fresher one and, unfortunately, instead of exacting a compromise, simply disappeared. A desire to throw over reality a light that never was might give way abruptly to the desire on the part of what we might consider a novelist scientist to record exactly and concretely the structure and texture of a flower.

In this instance, the new impulse was at least an energetic one. And thus its indulgence did not result in a relaxed style. But on other occasions Hardy abandoned a perilous risky and highly energizing impulse in favor of what was for him the fatally relaxing impulse to classify and schematize abstractly. When a relaxing impulse was indulged, the style—that sure index of an author's literary worth—was certain to become verbose.

Hardy's weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones. He submitted of first one and then another, and the spirit blew where it listed; hence the unevenness of any one of his novels. His most controlled novel, Under the Greenwood Tree, prominently exhibits two different but reconcilable impulses—a desire to be a realist-historian and a desire to be a psychologist of love but the slight interlockings of plot are not enough to bind the two completely together. Thus even this book splits into two distinct parts.

Which of the following is the most appropriate title for the passage, based on its content?

A.Hardy's Novelistic Style. A Literary Light.

B.Hardy's Creative Conflict: Rationalism and Realism.

C.Hardy's Achievements: An Ambiguous Triumph.

D.Hardy's Novelistic Impulses: The Problem of Conflicts.

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第6题
Picking up the sesame to throw the ___________ away.
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第7题
掷铁饼

A、relay race

B、discus throw

C、combined events

D、hammer throw

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第8题
..... and to throw light on Chinese attitudes toward creativity.
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第9题
Her house is within______from the police station.A.a stone's throwB.a throw of a stoneC.st

Her house is within______from the police station.

A.a stone's throw

B.a throw of a stone

C.stone's throw

D.the stone's throw

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第10题
try、catch、throw、throws、finally关键字用途是什么?

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