题目内容
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The word "oeuvre" in the second paragraph probably means ______.
A．all the works of an artist.
B．all the efforts of an artist.
C．an artist's great potential.
D．an artist's great talent.
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A.2-4
B.3-4
C.4-5
D.2-3
A．A rock-and-roll band considers its music unappealing to a mainstream audience, changes to a more palatable sound, and fails anyway.
B．An author decides that he would have a better niche in a fringe literary market, and sells his work there, but with little profit.
C．An artist decides that his oeuvre of paintings is not commercially viable, and resigns himself to make unpopular but artistically dignified work.
D．A marketing executive decides that a product won't sell, and thus restricts its availability to a certain loyal market.
E．A film actor realizes that he could be more successful working in theater, and though he achieves success, finds he misses his old form
A．A lesser-known author is discovered to have influenced a more famous one, and his works are rescued from anonymity.
B．An experimental artistic tradition falls into decline as a result of its practitioners adopting the idiom of a more popular one.
C．A popular composer's oeuvre is held up as the epitome of the genre, so that music critics praise his pupil's work without bothering to listen to it.
D．The interest in an archeological method diminishes over time, largely out of the failure of its inventor to generate new results.
E．A painter rebels against the advice of her teacher, after critics observe that her own work is indistinguishable from his.
women s roles in literature nave not evolved nearly as rapidly as women' s
changing roles in society, and while these changes are reflected somewhat in
what is written, female characters in most classic literature written by both
men and women seem to adhere to the classic stereotypes. Though writing
(5) during an era in which impersonal criticism was virtually the only way for a
woman to maintain objectivity, Virginia Woolf protested the notion that authors
ought to separate fiction from reality, and her imaginative use of drama and
character development to establish her point can be evidenced in her feminist
non-fiction, most prominently the battle against patriarchal authority. Owing to
(10) its numerous personal references, most critics have claimed that her oeuvre is
somehow self-centered or egotistical rather than objective, yet in truth Woolf is
not using her personal experiences as a means with which to reflect upon her
own self-image, but rather as a way to more vibrantly illustrate her external
perceptions.
The passage is primarily concerned with
A．describing the challenge Woolf's work once presented to the hermetic literary categories of her time
B．describing the method by which Woolf's work combated the stereotypes of female characters created by her literary predecessors
C．proposing the general merits of introducing the personal into non-fiction feminist literature
D．ranking, by order of permanence, Woolf's most lasting contributions to feminist discourse
E．exploring the influence Woolf had on subsequent generations of feminist writers and thinkers
Some years ago I gave a dinner party during which I served a delicious hors d'oeuvre filled with a meat that tasted somewhat like chicken. My guests wondered what the meat was, but I refused to tell them until they had eaten their fill. I explained that they had just dined on the flesh of freshly killed rattlesnake. Some people reacted by becoming nauseous, and a few people even vomited. By contrast, if I had served rattlesnake to a Chinese person, he might have requested a second helping, for in China the dish is considered a delicacy.
Another interesting case is a young man I met recently in New York City. An American by birth, he had been removed from his native state of Oregon at the age of six months when his parents went to Japan as missionaries. Orphaned before his first birthday, he was reared by a Japanese family in a remote village. The young man was unmistakably American in appearance, with blond hair and blue eyes. But he had a Japanese style. of walking, Japanese facial expressions, and he thought like a Japanese. Though he had learned to speak English fluently, he felt uncomfortable and out of place in an American city. He soon returned to Japan.
Which of the following would be the best title for the passage？
A．Cultural Conditioning
B．Our Parents' Values
C．Taboos among Americans
D．American Customs
Some years ago I gave a dinner party during which I served a delicious hors d' oeuvre filled with a meat that tasted somewhat like chicken. My guests wondered what the meat was, but 1 refused to tell them until they had eaten their fill. I then explained that they had just dined on the flesh of freshly killed rattlesnake. The reaction was nausea--and in some cases violent vomiting. If I had served rattlesnake to a Chinese, he would doubtless had requested a second helping, for in China the dish is considered a delicacy.
Another interesting case is the young man I met recently in New York City. An American by birth, he had been removed from his native state of Oregon at the age of six months when his parents went to Japan as missionaries. Orphaned before his first birthday, he was reared by a Japanese family in a remote village. The young man was unmistakably American in appearance, with blond hair and blue eyes. But he had a Japanese style. of walking, Japanese facial expressions, and he thought like a Japanese. Though he had learned to speak English fluently, he felt uncomfortable and nut of place in an American city. He soon returned to Japan.
The best title of this passage is ______.
A．Cultural Conditioning
B．Our Parents' Values
C．American Customs
D．Taboos among the Chinese
Women's roles in literature have not evolved nearly as rapidly as women's
changing roles in society, and while these changes are reflected somewhat in
what is written, female characters in most classic literature written by both
Line men and women seem to adhere to the classic stereotypes. Though writing
(5) during an era in which impersonal criticism was virtually the only way for a
woman to maintain objectivity, Virginia Woolf protested the notion that authors
ought to separate fiction from reality, and her imaginative use of drama and
character development to establish her point can be evidenced in her feminist
non-fiction, most prominently the battle against patriarchal authority. Owing to
(10) its numerous personal references, most critics have claimed that her oeuvre is
somehow self-centered or egotistical rather than objective, yet in truth Woolf is
not using her personal experiences as a means with which to reflect upon her
own self-image, but rather as a way to more vibrantly illustrate her external
perceptions.
The passage is primarily concerned with
A．describing the challenge Woolf's work once presented to the hermetic literary categories of her time
B．describing the method by which Woolf' s work combated the stereotypes of female characters created by her literary predecessors
C．proposing the general merits of introducing the personal into non-fiction feminist literature
D．ranking, by order of permanence, Woolf's most lasting contributions to feminist discourse
E．exploring the influence Woolf had on subsequent generations of feminist writers and thinkers
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